Writing

“Unrequited Love: June Clark's reconfigurations of the U.S. flag and all it represents,” Canadian Art Magazine, Winter 2021.
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“Private Archives: Jorian Charlton at Gallery  TPW,” Art in America, Spring 2021.
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Gambletron’s Technical Submission,” Canadian Art Magazine, Winter 2021.
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“Plant Life,” Gina Badger profile for Block Magazine, Summer 2021.
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“Labour Ambivalence and Vulnerability in Joyce Wieland’s film Hand Tinting,” TERMS: VULNERABILITY - Leonard & Bina Ellen Art Gallery, Fall 2020.
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Excesses and Refusals,” with Denise Ryner, introduction to Chroma, Ryner and Lee’s guest edited issue of Canadian Art Magazine, Fall, 2020.
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“Glitch and Figure: representation and refusal in the videos of Buseje Bailey and ariella tai,” Vtape.org, Fall 2020.
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“Inside ‘Young Gifted And Black’: A Project Celebrating The Great Black Artists Of Our Time,” vogue.co.uk, September 2020.
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Dangerous Liaisons,” The Editorial Magazine, Summer 2020.

Always Being Moved,” Canadian Art Magazine, Spring 2020.
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“The Choral Rig: on Onyeka Igwe’s No Archive Can Restore You,” Artists in the Cinema 2020,  program catalogue, February 28, 2020, Tyneside Cinema, Newcastle, England
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Group Theory,” Canadian Art Magazine, Fall 2019.
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“Triangle trade,” Camille Turner, Jérôme Havre and Cauleen Smith, Triangle Trade, exhibition catalogue, January 19–March 24, 2019, Surrey Art Gallery, Surrey, BC
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A Year in Black Art,” Canadian Art, Winter 2018.
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Tony Cokes’s 1988 video Black Celebration (A Rebellion Against the Commodity),” Flash Art 322, Fall 2018.

Adrian Piper’s Threat,” Flash Art Magazine 319, Spring 2018.
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On Fire,” (with  Rosa Aiello) Public Journal 29:58 (Fall, 2018): 169-176.
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“We Do Not Know What We Think We Know (and should assume nothing),” exhibition text, Divya Mehra, Pouring Water on a Drowning Man, September 28–November 18, 2017, Art Gallery of Southwestern Manitoba, Brandon, Manitoba
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Tactics and strategies of racialized artists: some notes on how to circumvent the art world’s terms of inclusion,” Musagetes, artseverywhere.ca, November, 2018.
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“Will Luke Willis Thompson split the £25000 Turner Prize with Diamond Reynolds if he wins?” gallery44.org, Fall 2018.
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A Somatic Seeing,” gallery44.org, Summer 2018.
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blackness, a picture of grace,”  gallery44.org, Spring 2018.
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subject of care,”  gallery44.org, Spring 2018.
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“Line Litter,” exhibition text, Laurie Kang, Line Litter, January 12 –February 4, 2017, Franz  Kaka, Toronto, Ontario
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The Women Running the Show: Black women curators in Canada,” Canadian Art Magazine, Fall 2017.
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“Water Bodies: Intimacy in the art and writing of Hannah Black,” magentafoundation.org, Fall, 2016.
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How Canada Forgot Its Black Artists,” thefader.com, August, 2016.
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Anxious Territory: The Politics of Neutral Citizenship in Canadian Art Criticism,” C Magazine 128, Winter 2015.
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“Radical Love: Hearing Masha Tupitsyn’s Love Sounds,” exhibition catalogue, November  4–November 5, 2014, Spectacle Theater,  Brooklyn, New York
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Troubled,” two autofiction interviews by Yaniya Lee. Chapbook with L’appat. 2014.
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“In Different Situations Different Behaviour Will Produce Different Results,” interviews with Jacob Wren and Chris Kraus. Chapbook with Palimpsest. 2013.
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Canadian Art Interviews 

Expanding Access, an interview with curator Michelle Jacques
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Mutual Aid during a Pandemic: Toronto’s Encampment, an interview with artist Jeff Bierk Support Network
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This is the future, an interview with artist Hito Steyerl 
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Conditions for Immersion, an interview with artist Beatrice Gibson
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The Freedom of Existing on the Edge, an interview with Carrie Mae Weems
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The Art of Living, in interview with editor and long-time Claire Denis collaborator Claire Atherton
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Femmes Noires, an interview with artist Mickalene Thomas
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Like No One’s Looking, and interview with artist and publisher Kandis Williams
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Language Matters, an intervie with writer Ben Lerner
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A Conversation with Tau Lewis, an interview with artist Tau Lewis
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Kapwani Kiwanga Gets Personal, an interview with artist Kapwani Kiwanga
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Nick Cave Makes Armour for the World’s Violence, an interview with artist Nick Cave
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