Writing
“Plant Life,” Gina Badger profile for Block Magazine, Summer 2021.
link
“Private Archives: Jorian Charlton at Gallery TPW,” Art in America, Spring 2021.
link
“Gambletron’s Technical Submission,” Canadian Art Magazine, Winter 2021.
link
“Unrequited Love: June Clark's reconfigurations of the U.S. flag and all it represents,” Canadian Art Magazine, Winter 2021.
link
“Labour Ambivalence and Vulnerability in Joyce Wieland’s film Hand Tinting,” TERMS: VULNERABILITY - Leonard & Bina Ellen Art Gallery, Fall 2020.
link ... pdf
“Excesses and Refusals,” with Denise Ryner, introduction to Chroma, Ryner and Lee’s guest edited issue of Canadian Art Magazine, Fall, 2020.
link
“Glitch and Figure: representation and refusal in the videos of Buseje Bailey and ariella tai,” Vtape.org, Fall 2020.
link
“Inside ‘Young Gifted And Black’: A Project Celebrating The Great Black Artists Of Our Time,” vogue.co.uk, September 2020.
link
“Dangerous Liaisons,” The Editorial Magazine, Summer 2020.
“Always Being Moved,” Canadian Art Magazine, Spring 2020.
link
“The Choral Rig: on Onyeka Igwe’s No Archive Can Restore You,” Artists in the Cinema 2020, program catalogue, February 28, 2020, Tyneside Cinema, Newcastle, England
link
“Group Theory,” Canadian Art Magazine, Fall 2019.
link
“Triangle trade,” Camille Turner, Jérôme Havre and Cauleen Smith, Triangle Trade, exhibition catalogue, January 19–March 24, 2019, Surrey Art Gallery, Surrey, BC
link
“A Year in Black Art,” Canadian Art, Winter 2018.
link
“Tony Cokes’s 1988 video Black Celebration (A Rebellion Against the Commodity),” Flash Art 322, Fall 2018.
“Adrian Piper’s Threat,” Flash Art Magazine 319, Spring 2018.
link ... pdf
“On Fire,” (with Rosa Aiello) Public Journal 29:58 (Fall, 2018): 169-176.
link . . . pdf
“We Do Not Know What We Think We Know (and should assume nothing),” exhibition text, Divya Mehra, Pouring Water on a Drowning Man, September 28–November 18, 2017, Art Gallery of Southwestern Manitoba, Brandon, Manitoba
link
“Tactics and strategies of racialized artists: some notes on how to circumvent the art world’s terms of inclusion,” Musagetes, artseverywhere.ca, November, 2018.
link
“Will Luke Willis Thompson split the £25000 Turner Prize with Diamond Reynolds if he wins?” gallery44.org, Fall 2018.
link ... pdf
“A Somatic Seeing,” gallery44.org, Summer 2018.
link ... pdf
“blackness, a picture of grace,” gallery44.org, Spring 2018.
link ... pdf
“subject of care,” gallery44.org, Spring 2018.
link ... pdf
“Line Litter,” exhibition text, Laurie Kang, Line Litter, January 12 –February 4, 2017, Franz Kaka, Toronto, Ontario
link
“The Women Running the Show: Black women curators in Canada,” Canadian Art Magazine, Fall 2017.
link
“Water Bodies: Intimacy in the art and writing of Hannah Black,” magentafoundation.org, Fall, 2016.
link ... pdf
“How Canada Forgot Its Black Artists,” thefader.com, August, 2016.
link
“Anxious Territory: The Politics of Neutral Citizenship in Canadian Art Criticism,” C Magazine 128, Winter 2015.
link
“Radical Love: Hearing Masha Tupitsyn’s Love Sounds,” exhibition catalogue, November 4–November 5, 2014, Spectacle Theater, Brooklyn, New York
link
“Troubled,” two autofiction interviews by Yaniya Lee. Chapbook with L’appat. 2014.
link
“In Different Situations Different Behaviour Will Produce Different Results,” interviews with Jacob Wren and Chris Kraus. Chapbook with Palimpsest. 2013.
link
Canadian Art Interviews
Expanding Access, an interview with curator Michelle Jacques
link
Mutual Aid during a Pandemic: Toronto’s Encampment, an interview with artist Jeff Bierk Support Network
link
This is the future, an interview with artist Hito Steyerl
link
Conditions for Immersion, an interview with artist Beatrice Gibson
link
The Freedom of Existing on the Edge, an interview with Carrie Mae Weems
link
The Art of Living, in interview with editor and long-time Claire Denis collaborator Claire Atherton
link
Femmes Noires, an interview with artist Mickalene Thomas
link
Like No One’s Looking, and interview with artist and publisher Kandis Williams
link
Language Matters, an intervie with writer Ben Lerner
link
A Conversation with Tau Lewis, an interview with artist Tau Lewis
link
Kapwani Kiwanga Gets Personal, an interview with artist Kapwani Kiwanga
link
Nick Cave Makes Armour for the World’s Violence, an interview with artist Nick Cave
link
An interview with artist Kapwani Kiwanga
“I guess it feels almost like a responsibility to speak from that experience, having left that place and not having words or the clarity to formulate it—coming back, I felt like I had to address that feeling that stayed with me and has affected how I feel when I go elsewhere. I grew up in a colonial country and that is very particular.”
“I guess it feels almost like a responsibility to speak from that experience, having left that place and not having words or the clarity to formulate it—coming back, I felt like I had to address that feeling that stayed with me and has affected how I feel when I go elsewhere. I grew up in a colonial country and that is very particular.”
Nick Cave Makes Armour for the World’s Violence
An interview with artist Nick Cave“I want to use my work as a form of service. And a form of service for me is investing and reinvesting in communities. That’s what it’s all about. I’m creating a platform for you to stand on and to realize that this is possible.“
Nick Cave Makes Armour for the World’s Violence
An interview with artist Nick Cave“I want to use my work as a form of service. And a form of service for me is investing and reinvesting in communities. That’s what it’s all about. I’m creating a platform for you to stand on and to realize that this is possible.“
An interview with artist Kapwani Kiwanga
“I guess it feels almost like a responsibility to speak from that experience, having left that place and not having words or the clarity to formulate it—coming back, I felt like I had to address that feeling that stayed with me and has affected how I feel when I go elsewhere. I grew up in a colonial country and that is very particular.”
“I guess it feels almost like a responsibility to speak from that experience, having left that place and not having words or the clarity to formulate it—coming back, I felt like I had to address that feeling that stayed with me and has affected how I feel when I go elsewhere. I grew up in a colonial country and that is very particular.”
A Conversation with Tau Lewis
An interview with artist Tau Lewis
“The pieces in the booth are all portraits. I think of them as things or beings from an imaginary landscape or an imaginary place. In my work, I think about the undeniable relationship that Black bodies have always had with certain landscapes. I’m also thinking a lot about water systems and deserts and tropics and forests and underground spaces.“
An interview with artist Kapwani Kiwanga
“I guess it feels almost like a responsibility to speak from that experience, having left that place and not having words or the clarity to formulate it—coming back, I felt like I had to address that feeling that stayed with me and has affected how I feel when I go elsewhere. I grew up in a colonial country and that is very particular.”
“I guess it feels almost like a responsibility to speak from that experience, having left that place and not having words or the clarity to formulate it—coming back, I felt like I had to address that feeling that stayed with me and has affected how I feel when I go elsewhere. I grew up in a colonial country and that is very particular.”
Nick Cave Makes Armour for the World’s Violence
An interview with artist Nick Cave“I want to use my work as a form of service. And a form of service for me is investing and reinvesting in communities. That’s what it’s all about. I’m creating a platform for you to stand on and to realize that this is possible.“